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  • Rukaj Editions


     

    Since 1981, Rukaj Editions has maintained an extensive programme, presenting master-prints and editions from leading Post-War and Contemporary artists.

  • Recent Aquisitions
    • Mel Bochner, Obscene, 2018
      Artworks

      Mel Bochner

      Obscene, 2018
      Monoprint in oil with collage, engraving and embossment on handmade paper
      19 3/4 x 13 1/2 in.
      50.2 x 34.3 cm.
    • Alex Katz, The Gathering, 2026
      Artworks

      Alex Katz

      The Gathering, 2026
      Silkscreen in colors on Saunders
      Waterford High White HP 425 gsm fine art paper
      41 x 72 in.
      104 x 183 cm.
      Edition of 40
    • Donald Baechler, Rose (Yellow), 2015
      Artworks

      Donald Baechler

      Rose (Yellow), 2015
      28-color silkscreen on 2-ply museum board
      40 x 31 in.
      101.6 x 78.7 cm.
      Edition of 35
  • Featured Artists
    • Alex Katz
      Artists

      Alex Katz

    • Julian Opie
      Artists

      Julian Opie

    • Andy Warhol,
      Artists

      Andy Warhol

      1928 - 1987
    • Donald Sultan
      Artists

      Donald Sultan

    • Julian Schnabel
      Artists

      Julian Schnabel

    • David Hockney
      Artists

      David Hockney

    • Donald Baechler
      Artists

      Donald Baechler

      1956 - 2022
    • Damien Hirst
      Artists

      Damien Hirst

  • Marilyn Minter Hell Mouth, 2025 In her most technically demanding edition to date, Marilyn Minter's Hell Mouth is a 120-colour...
    Marilyn Minter

    Hell Mouth, 2025

     

    In her most technically demanding edition to date, Marilyn Minter's Hell Mouth is a 120-colour silkscreen that brings forth a richness and detail typically reserved for paintings. Minter's recent body of work places focus on the longstanding art historical motif of the bather, setting out to create a new iconography of the female gaze. Minter has been the subject of numerous solo exhibitions and held in major institutional collections including the Tate, London; Museum of Modern Art; New York, Museum of Fine Arts Boston, among others.

     

    Inquire
     
    • Helen Frankenthaler
      Artists

      Helen Frankenthaler

      1928 - 2011
    • Robert Longo
      Artists

      Robert Longo

    • Richard Serra
      Artists

      Richard Serra

    • David Salle
      Artists

      David Salle

    • Sonia Delaunay
      Artists

      Sonia Delaunay

      1885 - 1979
    • Ross Bleckner
      Artists

      Ross Bleckner

    • Alexander Calder
      Artists

      Alexander Calder

      1898 - 1976
    • Ann Craven
      Artists

      Ann Craven

    • Vija Celmins

      Vija Celmins

    • Cecily Brown
      Artists

      Cecily Brown

    • Roy Lichtenstein
      Artists

      Roy Lichtenstein

      1923 - 1997
    • Cy Twombly
      Artists

      Cy Twombly

      1928 - 2011
    • Artists

      Julian Schnabel

    • Artists

      Anish Kapoor

    • Artists

      Frank Stella

    • Sage Szkabarnicki-Stuart
      Artists

      Sage Szkabarnicki-Stuart

    • Artists

      Judy Ledgerwood

    • David Blackwood
      Artists

      David Blackwood

      1941 - 2022
  • In focus: Donald Baechler Untitled (Cast Flowers) , 2006 Baechler's flower forms occupy a space between the faux naïve and... In focus: Donald Baechler Untitled (Cast Flowers) , 2006 Baechler's flower forms occupy a space between the faux naïve and... In focus: Donald Baechler Untitled (Cast Flowers) , 2006 Baechler's flower forms occupy a space between the faux naïve and... In focus: Donald Baechler Untitled (Cast Flowers) , 2006 Baechler's flower forms occupy a space between the faux naïve and... In focus: Donald Baechler Untitled (Cast Flowers) , 2006 Baechler's flower forms occupy a space between the faux naïve and...
    In focus:

    Donald Baechler

    Untitled (Cast Flowers) , 2006

    Baechler's flower forms occupy a space between the faux naïve and careful material construction. Cast by hand, Baechler returned to reoccuring symbols such as flowers throughout his career. Allowing the nuance of subtle distortions in surface and imperfect edges to question the distinction between printmaking, objecthood, and sculpture.
     
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We will process the personal data you have supplied in accordance with our privacy policy (available on request). You can unsubscribe or change your preferences at any time by clicking the link in our emails.