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Open a larger version of the following image in a popup: Kenneth Noland, Manx, 1972
Open a larger version of the following image in a popup: Kenneth Noland, Manx, 1972
Open a larger version of the following image in a popup: Kenneth Noland, Manx, 1972
Open a larger version of the following image in a popup: Kenneth Noland, Manx, 1972
Open a larger version of the following image in a popup: Kenneth Noland, Manx, 1972
Open a larger version of the following image in a popup: Kenneth Noland, Manx, 1972
Open a larger version of the following image in a popup: Kenneth Noland, Manx, 1972
Open a larger version of the following image in a popup: Kenneth Noland, Manx, 1972
Open a larger version of the following image in a popup: Kenneth Noland, Manx, 1972
Open a larger version of the following image in a popup: Kenneth Noland, Manx, 1972
Open a larger version of the following image in a popup: Kenneth Noland, Manx, 1972

Kenneth Noland American, 1924-2010

Manx, 1972
Acrylic on canvas
6 3/4 x 50 1/2 in.
17.1 x 128.3 cm.
Signed and titled verso

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Provenance

Purchased 1973, Palm Beach
William Pall Gallery, New York
Waddington Galleries, Toronto
The Waddington Galleries, London
Noland’s paintings are characterized by saturated expanses of colour divided by precise lines. He was also interested in how the shape and size of the canvas would interact with the...
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Noland’s paintings are characterized by saturated expanses of colour divided by precise lines. He was also interested in how the shape and size of the canvas would interact with the forms in the painting. This led him to experiment with diamonds, narrow rectangles, and other polygons. In the early 1970s, Noland began to paint “vertical plaid pictures” (Corcoran Gallery of Art, Kenneth Noland: A Retrospective, 1977, p. 43), which he first exhibited at Andre Emmerich Gallery in 1971. Manx (1972) belongs to this “plaid” period in Noland’s career.

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