Kenneth Noland American, 1924-2010
17.1 x 128.3 cm.
Further images
-
(View a larger image of thumbnail 1
)
-
(View a larger image of thumbnail 2
)
-
(View a larger image of thumbnail 3
)
-
(View a larger image of thumbnail 4
)
-
(View a larger image of thumbnail 5
)
-
(View a larger image of thumbnail 6
)
-
(View a larger image of thumbnail 7
)
-
(View a larger image of thumbnail 8
)
-
(View a larger image of thumbnail 9
)
-
(View a larger image of thumbnail 10
)
-
(View a larger image of thumbnail 11
)
Noland’s paintings are characterized by saturated expanses of colour divided by precise lines. He was also interested in how the shape and size of the canvas would interact with the forms in the painting. This led him to experiment with diamonds, narrow rectangles, and other polygons. In the early 1970s, Noland began to paint “vertical plaid pictures” (Corcoran Gallery of Art, Kenneth Noland: A Retrospective, 1977, p. 43), which he first exhibited at Andre Emmerich Gallery in 1971. Manx (1972) belongs to this “plaid” period in Noland’s career.
Join our mailing list for updates about our artists, exhibitions, events, and more.
* denotes required fields
We will process the personal data you have supplied in accordance with our privacy policy (available on request). You can unsubscribe or change your preferences at any time by clicking the link in our emails.