Malcolm Liepke American, 1953
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Pulling Off Her Shirt, 2025 -
On the Sofa, 2025 -
Resting on Hands, 2025 -
On Her Bed, 2025 -
The Black Hat, 2025 -
Portrait of a Woman, 1982 -
Getting a Drink, 2023 -
The Veil, 2024 -
Laying on Pillows, 2024 -
The Bath, 2024 -
Two Sisters, 2024 -
Like a Dream, 2022 -
She Came Forward, 2022 -
Edge of the Bed , 2023 -
Black Dress, 1992 -
Black Stockings, 2019 -
Both Feet, 2022 -
Curves and Circles, 2019 -
Helping With The Dress, 1996 -
Legs Overhead, 2019 -
Legs Together, 2019 -
Little Girl Blue, 2022 -
Mother and Child, 1992 -
Raised Skirt, 2019 -
White Veil, 2019
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Art Miami 2023
Albert Marquet, Pierre Bonnard, Hans Hofmann 5 - 10 December 2023Rukaj Gallery is pleased to exhibit at Art Miami 2023. The show highlights exceptional works by William Perehudoff, Jean Dufy, Henri Lebasque, and William Eggleston.Read more -
Palm Beach Modern + Contemporary 2022
Malcolm Liepke 24 March - 10 April 2022American artist Malcolm Liepke's dynamic and richly-coloured works give viewers a glimpse into intimate moments of sensual pleasure and introspection. In many of these close-cropped...Read more -
Art New York 2019
Jerry Schatzberg 2 - 5 May 2019Read more -
Art Miami 2016
Jerry Schatzberg & Malcolm Liepke 29 November - 4 December 2016Read more
Malcolm T. Liepke (born 1953 in Minneapolis, Minnesota) is a contemporary American painter whose practice centers on figurative representations situated within interior spaces. His paintings are distinguished by a gestural handling of paint, characterized by loose, expressive brushwork and a pronounced emphasis on surface texture. Liepke's approach demonstrates a sustained engagement with the painterly traditions of earlier masters, particularly John Singer Sargent and Diego Velázquez, whose wet-on-wet techniques, nuanced chromatic sensibilities, and compositional strategies have exerted a discernible influence on the development of his visual language. Liepke studied at the Art Center College of Design in Los Angeles, California, before leaving the program to relocate to New York City, where he established a career as an illustrator for major national publications, including Time, Newsweek, Forbes, and Fortune. During the 1980s, increasingly dissatisfied with the constraints imposed by commercial illustration, he made a decisive shift toward painting as his sole professional pursuit. From this period onward, his work developed into a distinctive idiom that balances technical refinement with an immediacy of expression. Liepke's works are held in the permanent collections of prominent institutions such as the Smithsonian Institution and the Brooklyn Museum. His art has also been widely exhibited and recognized by leading professional organizations, including the Pastel Society of America, the American Watercolor Society, the National Academy of Design, and the National Arts Club.
