Works
  • Malcolm Liepke, On the Sofa, 2025
    On the Sofa, 2025
  • Malcolm Liepke, Edge of Bed , 2023
    Edge of Bed , 2023
  • Malcolm Liepke, White Veil, 2019
    White Veil, 2019
  • Malcolm Liepke, The Bath, 2024
    The Bath, 2024
  • Malcolm Liepke, Two Sisters, 2024
    Two Sisters, 2024
  • Malcolm Liepke, She Came Forward, 2022
    She Came Forward, 2022
  • Malcolm Liepke, Wrapped, 2025
    Wrapped, 2025
  • Malcolm Liepke, On Her Bed, 2025
    On Her Bed, 2025
  • Malcolm Liepke, Portrait of a Woman, 1982
    Portrait of a Woman, 1982
  • Malcolm Liepke, The Veil, 2024
    The Veil, 2024
  • Malcolm Liepke, Like a Dream, 2022
    Like a Dream, 2022
  • Malcolm Liepke, Black Stockings, 2019
    Black Stockings, 2019
  • Malcolm Liepke, Curves and Circles, 2019
    Curves and Circles, 2019
  • Malcolm Liepke, Legs Overhead, 2019
    Legs Overhead, 2019
  • Malcolm Liepke, Legs Together, 2019
    Legs Together, 2019
  • Malcolm Liepke, Little Girl Blue, 2022
    Little Girl Blue, 2022
  • Malcolm Liepke, Raised Skirt, 2019
    Raised Skirt, 2019
  • Malcolm Liepke, Arm Overhead, 2021
    Arm Overhead, 2021
  • Malcolm Liepke, Close Couple, 2022
    Close Couple, 2022
  • Malcolm Liepke, Boy in Hoodie, 2021
    Boy in Hoodie, 2021
  • Malcolm Liepke, Both Feet, 2022
    Both Feet, 2022
Biography

When developing a visual reference for a new painting, Malcolm Liepke seeks the concurrent sensation of a simultaneously jarring and enticing image. Although initially intuitive, once certain themes or patterns begin to emerge in his selection, he will then cull and hone images more deliberately.  Attracted the pushing the boundaries of legibility, his figures are often suspended outside conventional time. His compositions range and vary, from charged encounters between protagonists in elusive environments, to more prosaic representations of fundamental human emotions. Emerging as a painter in the early 1980s in New York, Liepke’s contemporaries were dealing with the aftereffects of major minimalist and conceptual practitioners. Liepke’s practice instead demonstrated a sustained engagement with the painterly traditions of earlier American masters, such as John Singer Sargent. Malcolm Liepke was born in 1953 in Minneapolis, Minnesota. He studied at the Art Center College of Design in Pasadena, California before opting for a self-taught approach to his practice. Liepke has been exhibiting internationally for over four decades, his works can be founding the collections of the Smithsonian American Museum of Art/National Portrait Gallery (Washington, DC); Brooklyn Museum (Brooklyn, NY); Indiana Museum of Art (Logansport, IN) and the National Academy of Design (New York, NY).

Exhibitions
Publications