William Perehudoff Canadian, 1918-2013
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The Optimism of Colour Retrospective; Kamloops Art Museum
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William Perehudoff’s upbringing in a small prairie farming community shaped his unique approach to color. Working alongside post-war icons such as Kenneth Noland and Jules Olitski, Perehudoff is a key yet under-historicized figure in the development of color field painting. Maintaining a dedication to the Saskatchewan farmlands that so-deeply informed his practice. In 1947, Perehudoff came into contact with several Canadian artists working towards abstraction, namely Lawren Harris. By the 1950s, Perehudoff began travelling to Europe, studying under Amédée Ozenfant and marrying fellow Canadian artist Dorothy Knowles. The couple settled in Saskatchewan and were instrumental in developing an international presence for Canadian abstraction through the Emma Lake Workshops.
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William Perehudoff and Jack Bush pioneered Canadian Color Field painting; Perehudoff continued to receive several honors in the 1990s and 2000s. He was given the Canada 125 Commemorative Medal in 1993, the Member of the Order of Canada in 1999, an honorary Doctor of Laws by the University of Regina in 2003, and the Saskatchewan Centennial Medal in 2005. In 2010, a large exhibition of his work, The Optimism of Colour, was organized by Mendel Art Gallery and traveled to several institutions throughout Canada. Its catalogue, in French and English, included essays by Karen Wilkin, Roald Nasgaard, and Robert Christie. Perehudoff continued to farm and paint until close to the time of his passing in 2013. Perehudoff's works are held in the public collections of the National Gallery of Canada, the Art Gallery of Ontario, the Montréal Museum of Fine Arts, Portland Art Museum, Art Gallery of Alberta, the Art Gallery of Nova Scotia, the Glenbow Museum, and the Canada Council Art Bank, among others. Nikola Rukaj Gallery has represented the Perehudoff Estate for several decades; the gallery is steward to the legacy of Perehudoff and upholds a commitment to advancing the enduring cultural significance of his art.
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Works
William Perehudoff Canadian, 1918-2013
Thalia # 10, 1970Acrylic on canvas100 x 71 3/4 in.
254 x 182.2 cm.Series: ThaliaSigned, titled & dated versoSoldExhibitions
Art Toronto 2023 [Metro Toronto Convention Centre, Toronto, 2023]
William Perehudoff [Rukaj Gallery, Toronto, 2023]
Perehudoff’s broad canvases, brightly saturated colours, and neutral “fields” were informed by American abstraction as well as his Prairie setting. He was heavily influenced by the colourful abstract works of...Perehudoff’s broad canvases, brightly saturated colours, and neutral “fields” were informed by American abstraction as well as his Prairie setting. He was heavily influenced by the colourful abstract works of painters like Kenneth Noland and Amédée Ozenfant, and in the early 1960s Perehudoff attended several of the Emma Lake Artist’s Workshops held by Noland and Clement Greenberg. Greenberg was an enormously influential art critic who advocated for “formalist” painting: abstract works that explored colours, forms, textures, and compositional space rather than representation. Noland was a prominent American Colour Field painter. In the 1960s, Perehudoff’s bold colours, abstract shapes, and neutral grounds showed the influence of these workshops. Through the 70s, Perehudoff further explored the interaction of colour and form with the Thalia series. Thalia #10 is the largest effort in the series.
Thalia is one of the Nine Muses in Greek mythology, specifically the Muse of comedy and idyllic poetry. She is often depicted with a cheerful expression, holding a comic mask or a shepherd's staff. Thalia is the daughter of Zeus and Mnemosyne (the Titaness of memory), and like the other Muses, she inspired artists and poets, particularly in the realm of humor and light-hearted literature. Her name means "the blooming" or "flourishing," reflecting her association with joy and laughter.
“Color is what these pictures are about. it is always inventive and often extraordinary... they are energetic but carefully balanced configurations of intense colour, with piles of bars like springboards, hurling discs across the canvas." -Karen Wilkin, William Perehudoff: Ten Years (Saskatoon: Mendel Art Gallery, 1981)
"Arrangements of brilliant, clearly defined geometric shapes, to evanescent sheets and bars of pulsating color… [Perehudoff’s works] are characterized by… a meticulous concern for design - manifest in austere layouts - and an unabashedly romantic quest for the beautiful - in the form of ravishing color and surfaces.” – Karen Wilkin
Exhibitions-
Ten Variations on a Theme
Group Exhibition 5 Jun - 31 Jul 2025Rukaj Gallery is pleased to present Ten Paintings - an exhibition focusing on large-scale work. The emergence of Abstract Expressionism in the late 1940s marked a turning point in the... -
William Perehudoff
Solo Exhibition 10 Oct - 7 Nov 2024Perehudoff: Three Decades follows the Canadian abstractionist through the 1960s to his later work of the 1990s. This exhibition traces the evolution of William Perehudoff, one of Canada’s foremost colour... -
William Perehudoff
Solo 2 Nov - 7 Dec 2017Read more
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