Based on a single photograph taking during his residency at the Banff Centre for Arts, Shawn Evans (Canadian, b. 1986) has been developing a distinct and highly nuanced series of paintings that engage with chronological time, grounded questions of representation, limits of perception, and the status of images in the contemporary world. The Quantum Sky series explores the Albertan landscape through iterative works across mediums. Evan’s recalls a rich tradition of landscape painting, yet through sustained engagement one realizes he has developed alongside a more contemplative and conceptual axis. This singular concern with the Canadian landscape marks a degree of rigorous discipline and adherence to self-imposed formal constraints. Now often building his compositions without reference to the original photograph, his practice has shifted from an act of perception to memory. In a way, Evans has progressively abandoned landscape painting. Although the work has maintained an objective sensibility, his constant recalibrations of colour and composition has allowed the formal qualities of painting to become his primary subject.