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1966 inventory record showing Coughtry paintings in the collection of the Hirschhorn Museum
1966 inventory record showing Coughtry paintings in the collection of the Hirschhorn Museum
John Graham Coughtry Canadian, 1931-1999
Late Afternoon Interior, 1957
Oil and acrylic on canvas
40 x 40 1/8 in.
101.6 x 101.9 cm.
101.6 x 101.9 cm.
Signed “Coughtry" and dated “57” lower right; signed and dated “Graham Coughtry March, 1957” and titled verso; inscribed with original Hirschhorn inventory numbers verso
Further images
Provenance
Collection of Joseph H. Hirshhorn, acquired ca. 1958
Gift to the Trustees of the Hirshhorn Museum and Sculpture Garden in 1966
In a 1961 article on Coughtry published in Canadian Art, critic Robert Fulford wrote that 'among the best Coughtry paintings... are those thick, warm interiors of 1957 and 1958, in...
In a 1961 article on Coughtry published in Canadian Art, critic Robert Fulford wrote that "among the best Coughtry paintings... are those thick, warm interiors of 1957 and 1958, in which he conveyed superbly the visual equivalent of the feeling, or touch, of the materials that attracted him - cloth, wood, flesh. Those rich, glowing canvases, with their softly combined reds and blues, translated the message of impressionism into the language of mid-century North America." (Robert Fulford, "A Survey of the Work of 24 Young Canadian Artists," Canadian Art no. 71 (Jan/Feb 1961), p. 20)
Related artworks
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John Graham Coughtry, Moonlit Interior, 1958
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John Graham Coughtry, Portrait No. 5, 1959
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John Graham Coughtry, Portrait No. 3, 1958
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John Graham Coughtry, Portrait No. 6, 1959
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John Graham Coughtry, Portrait No. 1, 1958
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