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  • Open a larger version of the following image in a popup: Giorgio Cavallon, GC 53, 1962-63
    Open a larger version of the following image in a popup: Giorgio Cavallon, GC 53, 1962-63
    Open a larger version of the following image in a popup: Giorgio Cavallon, GC 53, 1962-63 Cavallon holding GC 53 alongside artists Clyfford Still, Hans Hofmann, Jules Olitski and Harry Bertoia
    Open a larger version of the following image in a popup: Giorgio Cavallon, GC 53, 1962-63

    Giorgio Cavallon Italian-American, 1904-1989

    GC 53, 1962-63
    Oil on canvas
    22 1/4 x 18 1/4 in.
    56.5 x 46.4 cm.
    Signed and dated "Giorgio Cavallon 62-63" lower right, signed, titled and dated again "Giorgio Cavallon 1962-63 GC 53" verso

    Plus d'images

    • (View a larger image of thumbnail 1 ) Giorgio Cavallon, GC 53, 1962-63
    • (View a larger image of thumbnail 2 ) Giorgio Cavallon, GC 53, 1962-63
    • (View a larger image of thumbnail 3 ) Giorgio Cavallon, GC 53, 1962-63
    • (View a larger image of thumbnail 4 ) Giorgio Cavallon, GC 53, 1962-63
    View on a Wall

    Provenance

    A.M. Sachs Gallery, New York
    B.C. Holland, Chicago
    Acquired from the above by the previous owner
    Twentieth-century American art critic and poet Frank O'Hara described Cavallon's process: “Colors move slowly, from the palette table to the canvas; the range of hues is at first bright, and...
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    Twentieth-century American art critic and poet Frank O'Hara described Cavallon's process: “Colors move slowly, from the palette table to the canvas; the range of hues is at first bright, and a “drawing-in-paint emphasis” is retained. As the painting progresses, hues increase in intensity; there is a panorama of juxtaposed masses with a strong dramatic center of black. Then whites are added, the whole canvas becoming illuminated from within” (O'Hara, Art chronicles, 1954-1966, 103).
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    Related artworks
    • Giorgio Cavallon, Untitled #139, 1948
      Giorgio Cavallon, Untitled #139, 1948
    • Giorgio Cavallon, Abstraction with Red, Green and Orange, 1950
      Giorgio Cavallon, Abstraction with Red, Green and Orange, 1950
    • Giorgio Cavallon, Woman Sitting, 1938
      Giorgio Cavallon, Woman Sitting, 1938

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