Jean Dubuffet French, 1901-1985

Works
  • Jean Dubuffet, Barbu a Lunettes (Webel 11), 1944
    Barbu a Lunettes (Webel 11), 1944
  • Jean Dubuffet, Matiere et Memoire: Femme et Son Petite, 1944
    Matiere et Memoire: Femme et Son Petite, 1944
  • Jean Dubuffet, Samedi Tantot, 1964
    Samedi Tantot, 1964
  • Jean Dubuffet, Grande Palais, 1973
    Grande Palais, 1973
  • Jean Dubuffet, Protestator (from the Présences Fugaces series), 1973
    Protestator (from the Présences Fugaces series), 1973
  • Jean Dubuffet, Territoire et Paysan (Webel 1170), 1975
    Territoire et Paysan (Webel 1170), 1975
Biography

Jean Dubuffet’s material experimentations, thickly built-up surfaces, and raw, expressionistic brushstrokes and helped expand the boundaries of painting in the 20th century. The artist coined the term “Art Brut” to define his mode of artmaking: He drew inspiration from the innocent, unrefined style of prisoners, children, and the institutionalized. Dubuffet’s practice also spanned drawing, printmaking, and sculpture, and he occasionally combined all his pursuits into multimedia pieces accompanied by live performances. Materials such as cement, plaster, tar, and asphalt heightened the deliberate crudeness of his work. Dubuffet briefly studied traditional painting methods at the Académie Julian in Paris and only settled into his mature style years later.

 

His work has been exhibited in New York, London, Paris, Los Angeles, and Amsterdam and belongs in the collections of Moderna Museet, the Museum of Modern Art, the Centre Pompidou, the Stedelijk Museum, the Tate, the Metropolitan Museum of Art, and the National Gallery of Art in Washington, D.C. Dubuffet’s canvases have sold for up to eight figures on the secondary market (via Artsy).

Publications